Chapter 4: Eanach Dúin (Annaghdown) to Coill Beag
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Archdall, in his Monasticon Hibernicum, published in 1786, mentions the nunnery at Annaghdown, which together with the town of Kelgel, was, by a bull of Pope Celestine III, granted, in 1195, to the nuns of the Order of Aroacea; likewise the Abbey of St. Mary de portu Patrum, for white nuns of the Premonstre Order (probably the present ruin), a Franciscan friary, and the college of St. Brendan. To the north-east of the abbey is the nunnery church, undoubtedly the
oldest structure now remaining at Eanach Dúin, and the west gable of
which, with its small bell-tower, is shown in the general view of the ruins.
It possesses no architectural attraction, nor any means of judging of its
precise date, except a Gothic pointed doorway in the north wall, which
portion is still standing, and measures
It is stated in the records that the church of Eanach Dúin was built by Aodh Mór O'Flaherty in 1400, and that it was burned eleven years afterwards; but, possibly, the former entry may refer to its re-edification. [MISSING ILLUSTRATION OF CHURCH WINDOW]
The east window of this cathedral church has been long since removed,
and nothing now remains there but irregular gap in the wall; there
can, however, be little doubt that every stone of that beauteous specimen of
medieval Irish work is still in existence; and thanks to the taste, if
not the honesty, of the architect of the adjacent Protestant church, it
will there be found, presenting interiorly, as perfect a condition as
when the adjoining church was unroofed.This window consists of a deeply-
splayed circular-headed light, 6 feet 8 inches high and 2 feet 10 inches
wide in the clear of the opening.The illustration expresses better than
words the skill of the artist who designed the abbey.On each side of the
half round moulding, where the deep splay of the window joins the church
wall, there is a line of decorated chevrons, in the angles formed by which
on both sides, are sixty-six floral ornaments, still quite sharp, and each
different from the rest, and showing the marvellous fertility in conception
and design of our Irish artists, which are so well seen in metal-work
and enamel on several of our most ancient shrines and croziers, and in
the tracings on manuscripts, as well as in the limestone decoration of
many of our
[MISSING ILLUSTRATION OF WINDOW ORNIMENT]
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